Animation

2024

2023

Cycle Breakers Intro | GYMFEA Productions

2022

2021

Figure Drawing

Terms of Service

By commissioning me you are agreeing to the following terms:

Payment

upfront/payment plans

-Payment is taken upfront through PayPal, Venmo, or ko-fi
-Payment plans are available for pieces over $60 with a 50% upfront payment and the latter 50% to be payed upon completion of the commission
-Payment plans will only be available through PayPal or Venmo and must be discussed with me prior to paying

refund/cancelation policy

-Full refunds are only available prior to me starting the commission
-Partial refunds are available for complete upfront payments depending upon when you cancel the order (50% for the sketch, 25% for halfway or more)
-Payment plans will not be refunded once production begins
-No refunds once the piece is completed
-If I need to cancel prior to the completion of the piece you will be refunded entirely

rights

as the artist...

-Maintain the right to copy, modify, post on any social media/portfolio, distribute, and/or sell the work freely
-Maintain the right to refuse any commission without a given reason

as the client...

-May copy, crop, or post the work publicly as long as I am credited for the piece
-May print the work for personal use
-May NEVER claim my art as your own
-May NEVER sell or distribute my work for profit
-May NEVER use my art as an NFT or feed the work to AI programs

process

-Please reach out to me regarding the specifics of the commission via IG, Discord, or email prior to sending over payment
-After receiving payment I will begin working and send updates for each major stage of production (sketch, lineart, color, etc)
-You are free to ask for any changes or modifications during the early stages of the commission
-Once I am over halfway done you will only be able to request for minor changes
-If you request a change I will correct the piece and send the updated WIP; you must approve this update before I continue on with the piece
-Once the piece is done you will not be able to request any changes
-I will send the completed commission to your email or any other method of your choice (Google Drive, DropBox etc)

turnaround time

-Depending on the complexity of the piece and my schedule, the turnaround time can vary from a few days up to months
-The average wait time is 1-2 weeks
-Please refrain from asking for updates more than once a week
-If something comes up in my schedule that delays production I will send a verbal update notifying you of this change
-If I fail to contact you for over two weeks you are free to message me and ask for an update

preferences

what i will draw

-Animals (any species is okay)
-Anthros/furries
-Humans/humanoids
-Fantasy creatures
-OCs
-Fanart
-Complex backgrounds (any setting is okay)
-Gore
-Weapons
-Vehicles (will cost extra)

what i won't draw

-Mecha
-NSFW
-Incest/pedophilia/fetish content/beastiality
-Bigotry (racism, homophobia, transphobia etc) or any hateful content

Please feel free to contact me about possible commission requests if its not listed here.

@stray_mutt_bones

I’m Oliver Gill but you can also call me Stray. I use he/him pronouns and am a Japanese/American 2D animator and illustrator with a focus on character/environment design, conceptual art, and storyboarding. I’m a graduate from the Columbus College of Art and Design with a BFA in Animation and hope to land a job at a small studio working in pre-production.The brunt of my animation portfolio consists of work made for the Warrior Cats MAP community, collaborating with other animators all across the world to create a finished product. These MAPs are split into smaller parts, allowing for participants to create short, polished animations. Each MAP has a script, rules, character designs, and an application process to varying levels of rigidity. I’ve created parts independently and also collaborated with several teams supplying backgrounds, character assets, as well as character tie-down, cleanup, and color.In terms of content I most enjoy illustrating animals and natural environments. I’m drawn to natural colors and muted tones with occasional saturated accents. Having grown up and been inspired by Disney/Ghibli films, I enjoy incorporating the traditional animation principles with the environments and storytelling techniques seen in Ghibli work.